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IK Multimedia’s While 2A Leveling Amplifier nails the unique program-dependent characteristic of the original LA-2A.
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Earn up to 2, Cla Vocals Plugin Crack > Show Spoiler. See All Waves Compressors & Limiters Software.
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Optical was the simplest one, and if proper elements for both the light-emitting panel and the photocells were matched, magic happened. Advertised Pdz Price For Waves L2 Is Cla Vocals Plugin Free Download Full Crack. It’s just a tube amp with photo-resistors, l ighted by a fluorescent panel driven by the output signal.Īt the time of this invention, there were not many ways of making an audio compressor: only variable-mu and optical. There is no electronic circuitry involved with the compression itself. It’s a totally different device in terms of construction where all the compression magic happens inside an optically coupled element formed by a fluorescent panel and some photocells: the famed T4A element. The White 2A Leveling Amplifier is based on a legendary vintage unit that is entirely tube-based. This gives you control over release times that shape transients in such a manner no hardware optical compressor can match. bx_opto not only delivers that musical quality but opens up new sonic possibilities with its variable speed knob, simulating changes in the speed at which the photocell in an optical compressor reacts to light. With Opto compressors, everything is moving constantly, and in an ear-pleasing way!Īnd Brainworx takes the Opto-concept to the next level with this plugin. For example, an Opto compressor will react differently to a longer loud part of a song than to a short loud hit in a quiet part, as the photocells will build up heat over time, which slows down the attack and release times significantly. Opto Compressors respond differently to different input signals, which is often referred to as being “program dependent”. – Chris Carter (Jasmine Trias, The Backstreet Boys, J.The bx_opto takes the best aspects and anomalies from legendary light-dependent Circuits to create a software compressor you wish you could buy in hardware!
And those two compressors almost always work. But mixing is about emotion, so I don’t want to get bogged down digging through 80 different compressors – I’ll reach for something that I know will work so I can keep my mental flow going because it’s what’s in my head and my heart that is going to make a record sound like a hit, not how fancy I get with all my plugins. I’ll reach for something else when a signal calls for a more specialized approach (any of the IK compressors and a number of others). Between a solid FET like the Black76 and a solid optical like the Molot, you pretty much have almost everything covered for channel duties and it’s very fast to get a good sound with either without having to get too twiddly with the knobs. The other is VladG’s Molot Compressor in Alpha mode which emulates optical compression and again, works on just about anything. One is the IK Multimedia Black76 which, in my opinion, behaves the most like the real deal and it works on just about anything.
The more you move away from Flat, the less sensitive the compressor is to lower frequencies, resulting in less low-end compression. When set to Flat, the CLA-2A provides equal reduction to all frequencies. For individual tracks I would say the vast majority of the time it’s one of two compressors. HiFreq increases voltage amplifier gain in the peak reduction circuit, for frequencies above 1 kHz, leaving lower frequencies less affected. So it’s those two in series, each one doing a tiny bit. I follow it with Variety of Sound’s Ferric TDS which, although technically not a compressor, gives me a couple more dB of compression.
My 2buss is always Cytomic’s The Glue, which is an SSL emulation (although I have been messing with the IK Multimedia Buss Compressor recently).
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